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C&O Gallery: Brigitte Turquois Freeman

C&O Gallery: Brigitte Turquois Freeman

Staunton Augusta Art Center: “Art for Gifts”

Staunton Augusta Art Center: “Art for Gifts”

Les Yeux du Monde: Clay Witt’s “Ultra Marine”

Les Yeux du Monde: Clay Witt’s “Ultra Marine”

UVA Art and Anthropology: “Trash And Treasures of Charlottesville II”

UVA Art and Anthropology: “Trash And Treasures of Charlottesville II”

Northside Library: The Piedmont Pastelists Annual Exhibition

Northside Library: The Piedmont Pastelists Annual Exhibition
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year=2010&monthnum=06echoAB
year=2010&monthnum=06echoAC

Reel to Tweel: Filmmaker scores at LA film fete

by Rachel Obenschain

news-makebelieveclaytweel2x1Producer Steven Klein and Director J. Clay Tweel at the LA Film Festival Awards Brunch
PHOTO COURTESY WIREIMAGE.COM

Sometimes, the first time is the charm. Out of a pool of over 2,000 submissions, Charlottesville native J. Clay Tweel felt lucky just to have his directorial debut shown at the Los Angeles Film Festival. But he was astounded to learn that his picture was the feature documentary winner.

“I was literally speechless,” Tweel laughs. “I had no idea that I would win the award or that it was even possible. Documentaries like Make Believe don’t win a lot of critical awards because it’s not about a social issue.”

While Tweel’s family was present for the premiere earlier in the week, they received the news of the win on Saturday, June 26 after the awards brunch. Tweel’s father, local lawyer Ron Tweel, was floored.

“You always hope for these things, but it was shocking,” says the elder Tweel. “I’m still grinning frankly.”

In addition to the honor of winning the Jury Award for a feature documentary, Tweel received an unrestricted check for $50,000 presented by Academy Award-nominated actress Gena Rowlands. However, the recognition may prove more vital than the prize money.

According to indie documentarian Chris Farina, distributors take a close look at film festival winners, so a win at any festival is a great launching point— particularly one with 80,000 attendees.

Make Believe emerged from producer Steven Klein’s personal encounter with boys in a magic shop as well as his own past endeavors as a teenage magician. The film follows the lives of (more)

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