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Nurse Beach

The Box
June 28, 10:30pm
Free

New local rock project. Art-rock duo Fangs Out opens.


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La Strada

Twisted Branch Tea Bazaar
July 8, 8:30pm
$6

Top-heavy gypsy indie-folk loaded down with strings and accordions and other elements that might make you think you’re listening to Beirut instead.

La Strada - My New Home


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David Dondero

Twisted Branch Tea Bazaar
July 6, 8:30pm
$7

Indie-folk singer-songwriter who has roots with Conor Oberst’s Team Love Records and the wobbly vocal style to match. Chris Campanelli opens.

David Dondero - Wherever You Go
David Dondero - When Your Heart Breaks Deep
David Dondero - Rothko Chapel


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listen to more David Dondero at the Hype Machine

Morgan O’Kane

Blue Moon Diner
July 2, 8:00pm
Free

One-man Americana band with a banjo and a kick drum pedal smacking up against a suitcase with every stomp of his foot.


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Bobby and Phillip St. Ours

Blue Moon Diner
July 5, 8:00pm
Free

Americana rock


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Julian Lynch

Twisted Branch Tea Bazaar
July 7, 8:30pm
$6

Hazy bedroom indie-pop singer and ethnomusicology PhD candidate riding Ducktails coattails.


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Girlfriends

The Box
July 5, 10:30pm
Free

Garage pop covered in halfassed fuzz. Shoegaze pop quartet Weed Hounds opens.


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Heather Maxwell

July 10, 8:30pm
$5

African music scholar performs with a trio featuring local drummer extraordinaire Robert Jospé and exotic instruments like the kamalen n’goni and balafon.

Heather Maxwell - African Women
Heather Maxwell - Ashanti Boy
Heather Maxwell - Boloci
Heather Maxwell - Can’t Take My Man
Heather Maxwell - Orphan’s Lullaby
Heather Maxwell - Surrender


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Trees On Fire

Fridays After Five
July 9, 5:30pm
Free

Tunes and social causes alike gush forth from this ecologically-minded local rock quintet like crude from the Deepwater Horizon well. (Sorry, too soon?)

Trees On Fire - Live Life
Trees On Fire - Rosa
Trees On Fire - In The Middle [via WXJM Live!]


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Jazz Jam for the George Melvin Education Fund

Fellini's #9
July 24, 5:00pm
Free

Pack your toothbrush and footie pajamas for this one, as well as a few extra bills — Fellini’s is pulling for an all-nighter with performances by Jim Wray, Bob Bennetta, Art Wheeler, John D’earth, and more at this fundraiser to jump-start a new educational initiative started in memory of fallen jazz pianist George Melvin to be run by the Charlottesville Jazz Society which will help aspiring young jazz musicians acquire instruments and pay for lessons. Your donations are tax deductible, and $5 buys you a raffle ticket to win a painting of George at Fellini’s.

Complete lineup:

  • 88 Keys Wilson: 5pm-6pm
  • Art Wheeler: 6pm-7pm
  • Michael Elswick: 7pm-8:30pm
  • Robert Jospe, John D’earth, and Pete Spaar: 8:45pm-10:15pm
  • Jim Wray and FUSE: 10:30pm-12am
  • David Sanford: 12am-1:30am
  • Ian Lawler: 2am-4am
  • Bob Bennetta: 4am-5am

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The Eli Cook Band

Fellini's #9
July 16, 10:00pm
$5

Blues-rock fusion

Eli Cook - Static In The Blood


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Just N Time

Fellini's #9
July 14, 10:00pm
Free

Hippie funk


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Drex Weaver

Fellini's #9
July 10, 10:00pm
$5

Jazz


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Ross Key

Stone Soup
July 2, 6:00pm
Donations accepted

Ross Key

Start your Fourth of July festivities early with classic country, bluegrass and blues covers as well as a handful of originals from the award-winning dobro player and multi-instrumentalist, who is a direct descendant of Francis Scott Key, the composer who wrote “The Star Spangled Banner.”


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Holly Allen

Stone Soup
July 9, 6:00pm
Free

holly-allen

Americana singer-songwriter


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Dr. Levine and the Dreaded Blues Lady

Stone Soup
July 16, 6:00pm
Donations accepted

Blues duo focusing on relics from the 20’s and 30’s.

Lorie Strother - Wild Women Don’t Have The Blues
Dr. Levine and the Dreaded Blues Lady - Shake It Daddy


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Scruffy Murphy

Stone Soup
July 30, 6:00pm
Free

Scruffy Murphy

Energetic Irish traditional tunes


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Moby and the Dicks

Maya
November 27, 10:30pm
Free

Moby and the Dicks

Rock from Sons Of Bill bassist Seth Green and experimental guitarist Benjamin O’Brien.

Moby and the Dicks - Ta Na Na
Moby and the Dicks - Red For Dodge
Moby and the Dicks - F


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Cool Beans

Rapunzel's
September 19, 7:30pm
$5 donation

Jazz


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Travis Elliott

Rapture
July 21, 10:00pm
Free

The second of two CD release shows for the local songwriter leans electric, with guest appearances by Nate Brown and Andy Waldeck.


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The Charlottesville Municipal Band

Paramount Theater
July 6, 8:00pm
Free

The Charlottesville Municipal Band

Patriotic music from the local performance ensemble.

buy tickets online
visit Paramount Theater online

The Charlottesville Municipal Band

Charlottesville Pavilion
July 3, 3:00pm
Free

The Charlottesville Municipal Band

Patriotic music from the local performance ensemble.


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G.G.GWAAK

Maya
July 23, 10:30pm
Free

gwaak

Reggae


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G.G.GWAAK

330 Valley Street
July 10, 9:00pm
Free

gwaak

Reggae

GWAAK

The Devils Backbone Brewing Company
August 29, 1:00pm
Free

gwaak

Reggae


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The Courtney Hollow Band

Blue Ridge Presbyterian Church
January 28, 9:30pm
$10

The Courtney Hollow Band

Harmony-laden traditional bluegrass


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The Callous Strangers

Dürty Nelly's
September 9, 8:00pm
Free

Alt-country trio

WTJU uproar: Staffers fuming over station’s changes

by Dave McNair

news-beardWTJU station manager Burr Beard had hoped to keep his ideas for increasing listenership at the radio station internal.
PHOTO FROM WTJU WEBSITE

It’s been just two months since Burr Beard replaced retiring WTJU station manager Chuck Taylor, but he already appears to have a full-scale revolt on his hands. Recently, emails from WTJU volunteers, disgruntled about “sweeping changes” that Beard was implementing, began circulating.

“There’s major trouble at WTJU,” one staffer wrote, “Burr Beard, the new manager, is attempting to impose sweeping, if yet undisclosed, changes. What has leaked out so far has the longtime volunteer staff in an uproar and threatening a strike.”

In a call to the Hook, another WTJU staffer complained that Beard wasn’t going to “let DJs play their own songs” and that there was a “mutiny” going on.

Beard has sent messages to WTJU’s staff explaining the proposed changes, a kind of cheerleading effort to get WTJU staff excited about strategies to increase listenership and fundraising. As Beard pointed out, “on average only 7,500 people listen each week. That’s the smallest audience of (more)

Buzz- No clowning around: Local comedians take the mic

by Stephanie Garcia
culture-microphoneDon’t think Cville has a sense of humor? The Charlottesville Comedy Roundtable says otherwise. PUBLICITY PHOTO
It might seem like a joke fallen flat— Charlottesville has a comedy scene?— but Jim Zarling and the Charlottesville Comedy Roundtable would challenge any nay-sayers to a stand-off. What makes C’ville a receptive bed for fledgling comics? A “unique” combination of supportive audiences, storytelling aesthetics, and proximity to the country’s political epicenter, according to Zarling. “[Comedy] is very competitive— a lot of times, you go to New York, DC, the comedians are very protective, territorial— they don’t want to help each other out,” explains Zarling, the founder of the CCR. “Other people see what’s going on here and say, ‘This really works?’” Moving to Charlottesville after attending the University of Missouri, Zarling was shocked at the lack of comedy performed in town— although he found the interest in stand-up comedy bubbling underneath the surface in comics and audiences alike. In September 2008, he joined forces with other casual comics to form the CCR, which found success with its first show in November at the Buddhist Biker Bar. Quickly setting up a monthly stand-up night, the craving for comedy grew, allowing the CCR  to expand its current schedule of weekly performances and open mikes. “There were no comedy clubs, no regular comedy shows [here]— the people who wanted to do it just didn’t know how to start,” he says. “Because we don’t have a corporately-owned comedy club, we’re kind of free to do what we want.” While CCR’s comedians– a motley group of around 15 regular comedians ranging from college students to veteran comics– stay away from “easy laughs” (read: offensive dirty jokes), they have a diverse set of experiences to draw from for their bits. A college town is always rife for stories, according to Zarling, and having an unusual take on everyday experiences will always draw a chuckle from a Charlottesville crowd. And while most local comedians stay away from political satire, Zarling himself finds varying degrees of success when he invokes health care reform or 9/11. “With satire, there’s a line— what people in Richmond think is funny, people here think is kind of mean,” he says. “The trouble with political satire is that divide between Democrats and Republicans— it’s a no-holds-barred, win or lose, with us or against us mindset.” As CCR has flourished— during the weekly meetings, comics exchange bits and tips, and Zarling has found success with his Wu Prov improv academy— audiences, hecklers, and professional comics have begun to flock to weekly stand-up shows and open mike sessions. While none of the CCR is quite ready to hit the bigtime, according to Zarling— professional touring comics have a trove of 45-60 minute bits, while local comedians are starting at 5-10 minutes a set— each comic involved in the burgeoning scene has taken up the challenge of tickling Charlottesville until it doubles over laughing. “The audience in Charlottesville has been really cool to whatever anyone takes to the stage,” Zarling says. “Everyone’s hear to root for you.” Channeling Jerry Seinfeld? Addicted to NBC’s Last Comic Standing reality show or glued to every airing of Chris Rock’s stand-up on Comedy Central? Zarling encourages all jokesters and witty locals to take the stage with authenticity— and not be surprised when that works. “You can’t copy someone else,” he says. “It’s all about finding what works best for you on stage and how to use the people who influence you without letting them mess up your act.” The Charlottesville Comedy Roundtable performs with headliner Al Goodwin Friday, June 18, at The Southern. Show starts at 10pm and tickets are $6.

The Cinnamon Band

The Box
June 24, 10:30pm
Free

Buzzed-about drums-and-guitar rock duo. Jason Cimon opens.


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Graham Parkinsons and the Flying Booze Brothers

The Box
June 17, 10:30pm
Free

Country-punk. DJ Nano spins records afterward.


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Prabir Mehta

The Box
June 21, 10:30pm
Free

Former frontman of the late Richmond pop-rock faves Prabir and the Substitutes plays a solo acoustic set.


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Marah

The Southern
July 1, 8:00pm
$10

Long-running Philly rootsy-rock duo who have earned the support of icons like Steve Earle and Stephen King (who called them “either the American U2 or close enough for government work”) and even a guest vocal spot from Springsteen. And while the acclaim may be well deserved, it certainly doesn’t hurt that they come up with album titles like “Let’s Cut The Crap And Hook Up Later On Tonight” and song titles like “Why Independent Record Stores Fail.”

buy tickets online
listen to Marah at the Hype Machine

Lost In Holland

June 25, 8:30pm
$5

Acoustic alternative indie-folk duo playing the lyrically heavy post-military reflections of Marine squadron leader turned guitarist Josh Hisle, some of which were actually written while in Iraq; he has scored a major supporter in Neil Young, whose label is distributing his album The Last Great Lost. Linda Rondstat’s son Michael accompanies on cello.

Galen Curry

The Sound, LLC
June 18, 8:00pm
$10

Galen Curry

Former frontman for pop-rockers Ultraviolet Ballet releases his new solo album in the studio where he recorded it and bundles a copy in with the door price.

Galen Curry - Oh Mama
Galen Curry - I Tore Down A Mountain


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Thao and Mirah with The Most Of All

The Southern
June 19, 8:00pm
$12

Well now, that name is certainly a mouthful, and it doesn’t even include Thao’s surname (Nguyen), but this is perhaps not all that surprising given that her usual band bears the similarly uncooperative name “The Get Down Stay Down.” But they’re both underground singer-songwriter powerhouses on their own (Thao via folky material on Kill Rock Stars and Mirah, whose full name ends with “Yom Tov Zeitlyn,” with pop sensibilities delivered by K Records), and after an unusually effective joint set at a San Francisco festival in late February, they decided to continue collaborating and covering each other’s tunes while on tour together.

DC microsensations These United States, now with three guitarists in a lineup twice as big as in years past, open with folk-derived tunes from a songwriter purportedly himself descended from Johnny Appleseed.

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listen to Thao at the Hype Machine
listen to Mirah at the Hype Machine
listen to These United States at the Hype Machine

Pants For Bears

Fardowner's
June 19, 10:00pm
Free

Seven-piece funk and dance band.


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American Dumpster

Miller's
June 25, 10:00pm
Free

Junkyard rock


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American Dumpster

Bel Rio
June 16, 10:00pm
Free

Junkyard rock


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Christian Breeden

Bel Rio
June 23, 6:30pm
Free

Local songwriter


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Tanya Anisimova

The Haven
June 18, 7:00pm
$5-$10 suggested donation

This renowned russian cellist’s past projects include a recording of Bach’s violin partitas and sonatas rearranged for her lower register as well as a collaboration with “Master Charles” of the Synchronicity Foundation; here she’ll be performing as a benefit for the downtown homeless shelter and the Thomas Jefferson Area Coalition For The Homeless.

The Jeff Decker Band

Old Trail Golf Club
June 17, 7:00pm
Free

You probably know Jeff Decker as the sax player in the Wednesday night Miller’s jazz combo, but at the exceedingly rare shows with his eponymous other band he steps up as a singer on tunes by Dean Martin and Sinatra.


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Eames Coleman

R2
June 9, 10:00pm
Free

Jamband rock led by the local guitarist

Buzz: Rock, rattle, roll: Latest from 6 Day Bender frontman a sure thing

by Stephanie Garcia
buzz-redrattlesPentecostal punk– the new MO for Luke Nutting’s Red Rattles. PUBLICITY PHOTO
For local music aficionados, it’s lucky that local blues rocker Luke Nutting has a short attention span. As the front man for a favorite rollicking local bluegrass— sometimes, they prefer “mountain rock”— band, 6 Day Bender, Nutting found himself listless and bored during some scheduled downtime. Unable to sit still without an instrument to strum or a lyric to yell, the guitarist began fiddling with melodies, loops, ideas. On a whim, he asked friend and drummer David Jacobs to join him during a solo show— and Red Rattles was born. “I don’t like the aesthetic of the quiet, singer-songwriter in the corner,” Nutting says. “But I get down if I don’t play shows. I get ornery.” There’s nothing singer-songwriter about Red Rattles. While distracting himself from the boredom of life off the road, Nutting began experimenting with gospel and rock, creating a “Pentecostal punk, hard gospel” aesthetic for the Rattles. How exactly does that play out? A mixture of Southern sticky-sweet blues with loud, rowdy garage rock. “Somber fury,” he grins. “The dualities of Black soul music and white banjo music— back when gospel and blues were still bedfellows. I took that era and plugged it in, turned it loud, put it through an Iggy Pop lens.” The first release from the duo reflects those dualities seamlessly. Sure Thing contains five songs, and all need to be played at eardrum breaking levels to be best appreciated. The base of the songs were recorded by Nutting and Jacobs during an impromptu rehearsal in Nutting’s basement, with one microphone pointed towards the ceiling with the duo playing through the songs as loud as they could. Nutting went back over the tracks individually and added in all other instruments (banjo, upright bass and organ, among at least a dozen) and vocals overtop those original guitar and drum recordings— and the result is sultry, loud, messy rock. “You can fake a band with two people convincingly,” he says. The album efficiently flows, but never ebbs. Energy seeps throughout the entire 17 minutes and 53 seconds, and it’s incredible to hear Nutting’s voice reach ever higher pitches in the overlapping layers of vocals. Most songs can be analyzed as relationship quandaries– “Take Me Home” details “good old-fashioned loving”— although issues of “institutional infallibility” and “the difficulties of circumstance” are overriding themes as well. The duo is, in this reviewer’s opinion, strongest on the first and final tracks, “It’s a Shame,” and “Sure Thing,” wrapping the album into a neat package of gospel rage, all sex appeal and grunge. Perhaps the glory of the EP lies in its whimsy— every song has a different reincarnation when played live, and Nutting plans to keep it that way. “For better or worse, [Red Rattles] can totally follow whims— it’s a total blank slate,” he says. “I can be whoever, the song can be written however, there’s nothing to be a sequel to.” If Nutting’s solution to boredom is to create exhilarating, devil-may-care musical projects, the local music scene may be just a bit rowdier, even when his main band goes on a well-deserved hiatus. Red Rattles releases Sure Thing online Sunday, June 13, then playing two release shows Monday, June 14, one at Sidetracks and one at The Box. The Sidetracks show starts at 5pm, The Box show at 10pm and tickets to both are free.

Mili-mouthing: Local man fronts Doors legends Manzarek-Krieger

by Hawes Spencer

news-jimmorrisonmatijevic-live-smMili, right, works the shadows while Manzarek holds the light.
PHOTO BY HAWES SPENCER

RICHMOND— For just $20, concertgoers got to hear songs of the 1960s rock group whose frontman combined poetry, sex appeal, and self-destruction so powerfully that Oliver Stone made a film called simply The Doors. And now a Charlottesville man has been tapped to step into the leather pants of the late Jim Morrison.

However, Miljenko Matijevic, who maintains his own recording studio on East Market Street, has yet to literally step into any spotlights with the band now called Manzarek-Krieger. Despite his Morrisonesque gryrations and ear-busting intonations, Matijevic performed without direct illumination throughout most of Monday night’s greatest hits concert.

To be sure, the new frontman, at 45, is older than Morrison, who never got past 27, but why is Matijevic— on the job for a week and a day— confined to the shadows? Is this just an audition? A pre-concert phone call to the band’s publicist offered little.

“We’re not doing (more)

Mary Chapin Carpenter

Paramount Theater
June 19, 8:00pm
$55-$1000

Pop-country and folk singer-songwriter, crossover smash — and, of course, local celebrity)

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visit Paramount Theater online

Invisible Hand

The Southern
June 25, 8:00pm
Free

There’s absolutely no acceptable reason to pass up this free show given that the flagship project from local rocker-of-many-hats Adam Smith was positively doused in local acclaim in our annual music issue. North Carolina’s Naked Gods, who will be splitting an upcoming 7″ with the Hand, open with hazy alternative country-rock, and Smith and Hand drummer bassist Thomas Dean also run a DJ set beforehand.

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Corsair, Lollipop Factory, and We Landed On The Moon!

Twisted Branch Tea Bazaar
June 29, 8:30pm
$5

Local metal faves Corsair are the shreddier of the 70’s rock revivalists on the bill here, what with the solos using harmonized Iron Maiden thirds and all. But Ohio’s surprisingly aggressive Lollipop Factory also don’t do too bad for themselves, doing their best as a duo to sound as huge as the 70’s might have if people had been running around trying to come up with a sound like stoner metal instead of just getting stoned for real; “frankensteined pop-metal contraptions,” as guitarist David Tweed handily puts it. With We Landed On The Moon!

Corsair - Last Night On Earth
Corsair - Space Is A Lonely Place
Corsair - Starcophagus

We Landed On The Moon - Boats


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Rhythm Bandit

Twisted Branch Tea Bazaar
June 26, 8:30pm
$5

Release show for the new cassette of live recordings by the precocious young local gadgeteer made in Richmond just over a week beforehand. With C-ville’s own Mss. and Pattern Is Movement experimental recording spinoff Oh! Pears.

Mss. - Little Flies


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Eternal Summers

Twisted Branch Tea Bazaar
June 18, 8:30pm
$6

Roanoke’s premier jangle-punk duo. With Greenland, Family Trees, and Andrew Cedermark.


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Bobby St. Ours

Twisted Branch Tea Bazaar
June 17, 8:30pm
$5

Folk songwriter


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Bobby St. Ours

June 12, 8:30pm
$5

Folk songwriter


visit Twisted Branch Tea Bazaar online

Beleza Brasil

June 11, 8:30pm
$8

Acoustic set from the Latin jazz and samba duo

Beleza Brasil - Water To Drink
Beleza Brasil - Fever


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Anders Osborne

The Southern
June 18, 8:00pm
$15

This Grammy-winning Swedish-via-New-Orleans badass slide guitarist and occasional songwriter to the Nashville elite went with roots music powerhouse label Alligator Records for his last album, which also somehow bears a co-production credit from one of the dudes from metal maniacs Corrosion of Conformity. Speaking of which: he also often performs with a sousaphone player.

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Damien Jurado

Twisted Branch Tea Bazaar
June 21, 9:00pm
$10-$12

Over the past decade and a half, people like Sunny Day Real Estate’s Jeremy Enigk and one-time bandmate David Bazan of Pedro The Lion as well as labels like Sub Pop and (most recently) Secretly Canadian have all championed Seattle songwriter Damien Jurado’s sleepy indie-folk. It’s often quite dark and minimalist, except when it’s not, as with his occasional jaunts into electric instrumentation, string arrangements, and found sound.

Damien Jurado - Cloudy Shoes

Openers Kay Kay and his Weathered Underground play eccentric Beatles-influenced retro-pop with occasional bits of folk and sparkly piano parts.

Also featuring Stratton Salidis.


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Vagabon Tribe

Rapunzel's
June 25, 8:00pm
$10

World fusion outfit featuring Malian instruments like the kora and kamel n’goni and lyrics in several languages.


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The Free Radicals

Rapunzel's
June 26, 8:00pm
$5

Americana and swing


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Skeedaddle

Rapunzel's
June 19, 8:00pm
$5

Acoustic quartet Skeedaddle plays 20’s and 30’s swing loaded up with unusual instruments like ukulele, kazoo, and washboard.


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Dallas Wesley

Rapunzel's
June 12, 7:30pm
$5 donation

The star of Live Arts‘ recent production of Lost Highway finally gets back to playing his own tunes.


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Greg Greenway

Unitarian Universalist Church
June 20, 7:00pm
$10

Singer-songwriter


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Spirit Family Reunion

Blue Moon Diner
October 15, 9:00pm
Free

Foot-stomping NYC folk and bluegrass outfit which in their most cuckoo moments can rely as much on rowdy hootin’ and hollerin’ as on actual instruments. Bring yer dancin’ shoes.


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Billy Caldwell

Blue Moon Diner
February 21, 8:00pm
Free

Acoustic rock


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Bill Adams

Blue Moon Diner
September 24, 9:00pm
Free

Local fingerstyle guitarist plays old-time

Bill Adams - Elzic’s Farewell


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Koda Kerl and the Nelson County Invasion

Blue Moon Diner
December 6, 8:00pm
Free

Rock and folk


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Jamal Millner and Comrades

Dürty Nelly's
August 28, 9:30pm
$5

Instrumental rock, blues, funk, and R&B from the local guitar wizard.

Jamal Millner’s Comrades - Break Out

The Jamal Millner Trio

Fellini's #9
June 12, 10:00pm
$5

jamal-millner

Blues and jazz from the local guitarist


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Carol Covell

Siips
June 26, 9:00pm
Free

Richmond jazz singer accompanied by pianist Skip Gailes


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Chris and Goose

Stone Soup
December 10, 6:00pm
Free

Chris and Goose

Country, blues, and gospel


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Fritz Horowitz

Stone Soup
June 25, 6:00pm
Donations accepted

Fritz Horowitz

Acoustic pop including tunes from as far back as the 1920s


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Scruffy Murphy

McGrady's Irish Pub
June 11, 8:00pm
$2

Energetic Irish traditional tunes mixed up with contemporary covers with which you are expected to sing along (seriously, they’ve been known to print out the lyrics for you and everything).

The Charlottesville Municipal Band

Charlottesville Pavilion
June 14, 6:30pm
Free

The Charlottesville Municipal Band

The local performance ensemble WANTS YOU to help them celebrate the 235th anniversary of the U.S. Army.


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Buzz- Local jazz artist hits the road, just a little bit wiser

by Stephanie Garcia
buzz-gerritLocal jazz artist Gerrit Roessler leaves Charlottesville with a plethora of experience, scholarship, and found noises in his repertoire. PUBLICITY PHOTO
It may seem more grade school than hardcore rock ‘n’ roll to combine music with philosophy, theory— which is why some artists refuse to acknowledge academia as a role in their work. But for local jazz performer Gerrit Roessler, the application of one to the other is second nature. “I’ve always gone the route of [making music] something that’s applicable,” he explains. “I studied music, but as a music teacher, not a performing artist, dabbled in musicology— but never made the jump to full-time musician.” Yet as the artist, 32, now plans to pack his bags and leave Charlottesville with one last solo farewell performance, turning to music full-time is still not in the cards. Is he just not committed to the art of performing music? On the contrary. Roessler began performing music at the age of six, in the rigorous pre-school music education that his home country of Germany offered all students. He focused his energy on formal jazz training for the piano and took off from there. Collaborating with artists in Germany and in Charlottesville, Roessler has been active on the local jazz scene, twisting his formal training with an emerging experimental electronic sound— a jazz aesthetic he’s begun to perfect in his solo show. “Right now in contemporary jazz, there’s a breaking down of boundaries— it’s not big band music, or the kind of jazz you hear on the Weather Channel,” Roessler says. “There are very open forms that are governed by principles other than notated instruments, that I find very exciting.” Roessler’s solo work is a cacophony of found sounds, electronic noise loops, and contemporary jazz melodies. His various Charlottesville gigs and collaborations have inspired him to combine a traditional jazz aesthetic with a hip, post-modern urge to make art applicable to everyday life. For Roessler, music is not merely a means to an end— the process of creating and improvising itself is as much an artistic representation as the actual performance. In his studies at UVA, Roessler consumes theory that asks large, scholarly questions: “How important is the artist? What is a novel? What does it have to do with our life? Why do we still read? What is a piece of art?” Yet instead of shelving these quandaries and using music as an escape, Roessler uses performance as another realm in which to explore these questions— applying his book smarts to his musical endeavors. “I regard teaching as performance also— standing in front of a group of people and explaining things that are dear to my heart gives me the same rush I have after a show went really well,” he explains. “You are creating something where you are at the same time the composer, performer, your own audience and it’s something that will happen only for the duration of that performance.” If musical performance pulls from the same critical processes as teaching and scholarship, Roessler, now working on his dissertation with UVA, has had years of experience to back up his musical ambitions. His collaboration with local artists, such as Isa Leal, Daniel McCarty, David Cosper, and Eric Smith, has led him to hone his solo jazz project, one he will take with him to New York City, where he plans to record an album. “I don’t want to play background music— it’s a skill I don’t have, when people request the jazz version of Lady Gaga and want it combined with the Wedding March on the spot,” he says. “My life as a scholar, a jazz musician, my passion for avant garde forms, my passion as a listener, a reader— all these personalities are not separate at all.”

visit Charlottesville Pavilion online

Alligator

Jefferson Theater
July 31, 8:00pm
$10-$12

The local Grateful Dead tribute crew plays 60’s and 70’s-era material and celebrates Jerry’s birthday at midnight.


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Paul Curreri

Jefferson Theater
August 7, 7:00pm
$10-$12

The local folk champ celebrates the Stateside release of his new album California with a full backing band. Staunton singer-songwriter Nathan Moore opens.

Paul Curreri - Once Upon A Rooftop
Paul Curreri - California
Paul Curreri - Long Gone Again

Nathan Moore - Gotta Make It
Nathan Moore - Hollow
Nathan Moore - Understand Under
Nathan Moore - Gotta Be
Nathan Moore - When A Woman


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Groove Train

Jefferson Theater
February 5, 8:00pm
$8-$10

Groove Train

Funk and disco covers


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Jimmy Cliff concert postponed

by Vijith Assar

Jimmy Cliff

The concert by reggae legend Jimmy Cliff which was originally scheduled for the Charlottesville Pavilion on June 6 has just been postponed due to unspecified travel problems. Apparently Cliff was unable to foresee these particular obstacles.


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Of Montreal rocks the Jefferson

by Hawes Spencer
ofmontrealClick for a slideshow. PHOTO BY TOM DALY
The Memorial Day concert by Of Montreal at the Jefferson Theater was a spectacle, and photographer Tom Daly was there.

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Opening Doors: The six degrees of Miljenko Matijevic

by Vijith Assar
Miljenko Matijevic goes by “Mili,” as in “mealy-mouthed,” though his soaring vocals are anything but. That’s why the Yugoslavian-turned-Charlottesvillian has landed a hot new job as the new voice of The Doors. Well, sort of. Thirty-some years after the tragic death of iconic frontman Jim Morrison, keyboardist Ray Manzarek and guitarist Robbie Krieger toured briefly with a different singer under that name, but that did not go over too well with Morrison’s estate, so they instead ended up playing Doors material as simply Manzarek-Krieger. Matijevic is the new voice for that operation, which stops in Richmond at The National on June 7. Matijevic started as the frontman of hair-metal band Steelheart, which released its debut album in 1991 and scored a hit with the power ballad “I’ll Never Let You Go.” But then, at a 1992 show in Denver, part of the lighting rig collapsed, and Matijevic suffered serious head injuries in the accident, bringing the band’s career to a screeching halt. The silver lining may have been that Steelheart was spared the brutal execution that awaited its frizzy friends when Nirvana showed up just a couple years later to lay that whole scene to waste and usher in the age of alternative. For that matter, Matejevic likewise has been holed up lately in a studio he built for himself in a warehouse out on Market Street working on new modern-rock oriented material under his old band’s name. He’s not alone; adjacent spaces are home to former Soul Sledge guitarist Rob Richmond, who is launching a new rehearsal space venture in July, and electronics wizard and amp repair guru Roger Pinto. Another neighbor is Brian Craddock, the former Charlottesville Music employee who was recruited by Fluvanna graduate and ousted American Idol fan fave Chris Daughtry for his eponymous hard rock band, which ruled the charts in 2007 with the best-selling debut album in history. Craddock was also a member of the short-lived local alt-metal outfit Sickshot, which infamously shot its own foot and then promptly ate it in our 2006 music issue, in which they responded to criticisms that they sounded like mall-metal by stating that their sole goal was to sell a ton of records to the MTV demographic. Now back to Mili — he replaces departing Manzarek-Krieger singer Brett Scallions, who in the 90’s was the face of alt-rock stars Fuel. You know, these guys: But he wasn’t the brains– that was guitarist Carl Bell, which is why Scallions found himself kicked to the curb in early 2006 after some unfortunate combination of internal disagreements and throat problems. This brings us up to the beginning of Daughtry’s run on the 2006 season of Idol. (Whoops! Sorry about the maddeningly muddled chronology here. Just pretend you’re watching Lost.) His March 1 performance of Fuel’s 2000 modern rock smash “Hemorrhage (In My Hands)” left the judges reeling— even the notoriously nasty Simon Cowell— and sent the original recording shooting back up the iTunes charts the next day. Nevertheless, he was canned the following week, at which point Fuel made a special appearance the very next day on the nationally-syndicated television show Extra to publicly offer him Scallions’ recently-vacated seat. This strangely parallels the manner in which Mark Wahlberg’s character goes from fronting a tribute band to the real deal in the 2001 film Rock Star. Or maybe it’s closer to Craddock’s story, actually; Daughtry, of course, declined the offer, and with Craddock at his side, went on to sell the gazillion records Sickshot never did. Either way, guess who subbed in to serve as Wahlberg’s singing voice in Rock Star? That’s right— our man Mili. Thank goodness for that.

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New/Old: Latest release from local rockers features a vintage look and feel

by Stephanie Garcia
dtctapeAndrew Cedermark and Drunk Tigers team up for the latest mixtape from Harrisonburg label Funny/Not Funny. ALBUM ART
The members of hometown favorites Drunk Tigers aren’t prolific— although their latest release, the mixtape Drunk Tigers versus Andrew Cedermark, released by Harrisonburg label Funny/Not Funny, is their third release of new recordings in a year’s time. Rather, this local rock band, savvily noting how timing can be everything in entertainment, has drawn out its presence with occasional EPs. And, like many fine things, this is one band that grows better with age. Four out of the five songs featured on the mixtape are “vintage” Drunk Tigers, according to dual front men Zach Carter and Matt Bierce. The guitar and vocals team note that only one song, the album’s single “Matchbook Tricks,” (which has also been played live under the moniker “Shark Fight”) is newly written. “If you listened to us in 2008, [these songs] are what you think of when you think of Drunk Tigers,” explains Carter. “We weren’t planning on releasing these, but they were a good fit for a tape, thematically.” These are staples in a Drunk Tigers live show— and they don’t lose a bit of that sloppy yet biting live feel when recorded. The essence of the Drunk Tigers lies in the mixture of anti-establishment, punk-influenced lyrics and a disheveled, devil-may-care live show. Sometimes, their guitar strings break and they can’t finish a song with a full ensemble. Sometimes drummer Mike Parisi hits the snare really, really hard. But through it all, the music is aggressive and raw, “punchier” in a vulnerable way according to Bierce. “Our live show has always been fun, but as performers, we’ve kicked it up a notch,” says Bierce. “We’re getting better at telling stories,” says Carter. “It’s easier for us to evoke a scene, moments of dramatic tension, snapshots.” Last February, during the last of the winter’s major snow falls, the quartet went into Adam Smith’s studio and recorded “everything we had in a finished state,” says Carter. When Funny/Not Funny approached the band to do a mixtape, they were in luck— the “Adam Smith Sessions” were the right fit for one side of the tape. In a moment of intuition, they asked Andrew Cedermark offhandedly to record for the other side. And sparks ignited. “It is complementary, although his live stuff is way more rock ‘n’ roll,” notes Bierce. Carter agrees. “When recorded, it’s bedroom folky, and he’s pulling a lot from the 60s, 70s, rootsy people,” says Carter. “It sounds folksy, bluesy, earthy— but I’d never accuse him, or us, of writing pop music.” Although Cedermark declined an interview, due to his role as the music editor for C-ville Weekly, his presence on the tape adds a sharp, yet dreamy perspective. Cedermark plays powerful live shows, with energy that permeates the audience. Recorded, he is folksy, or “jangly” as Bierce aptly terms it. He plays intimately, with each guitar strum accentuated, each changing pitch of his voice notable. The synergy of Cedermark and the Tigers make for a well-rounded experience: when the delicacy of Cedermark’s dream-rock becomes too dream-inducing, you simply flip over to jolt into consciousness from the very first punch of drums and the throb of dueling guitar melodies Drunk Tigers are known for— or vice versa. Funny/Not Funny releases Drunk Tigers vs Andrew Cedermark Tuesday, June 8. Both bands plan to play a four-day release tour July 1-4.

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