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The Greg Howard UpTet

The Sound, LLC
January 29, 8:00pm
$10, $5 students and seniors

The Chapman Stick maestro’s new quintet now features local jazz flautist Gina Sobel alongside longtime trumpet player John D’earth and improvises over Howard’s originals as well as standards by Miles, Coltrane, and Herbie.


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Bob Dylan

John Paul Jones Arena
November 10, 8:00pm
$47.50

Folk legend

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Gina Sobel

November 6, 8:00pm
$5

Jazz singer and flautist


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Michael Clem

November 5, 8:00pm
$5

New folk-rock trio from the Eddie From Ohio alum


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Bums Lie

Rapture
November 3, 10:00pm
Free

Ska and reggae


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Curtis Prince

Blue Moon Diner
November 1, 8:00pm
Free

Fingerstyle folk-rock guitarist


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Remy and Atticus

Blue Moon Diner
November 9, 8:00pm
Free

Swing, rockabilly, and blues duo.


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Evan Lewis

Mudhouse Crozet
November 6, 5:00pm
$5

Singer-songwriter. With Jay Glick, Matt Knisley, and Rockhouse Railway.

Evan Lewis - Alone
Evan Lewis - Millers River


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Jacabone

Wild Wing Cafe
November 5, 9:30pm
Free

Harmonica-driven roots-rock and Americana

Blues Farm - Miss You

Quick-change artists: Local bands don new duds for Halloween

by Stephanie Garcia
cover-astro-2
buzz-queen
First you have Astronomers… PHOTO BY JEN FARIELLO
Then you have Queen. PUBLICITY PHOTO
1 of 2
The recent spate of local musicians hanging up their collective instruments and calling it quits is, admittedly, disheartening for the Charlottesville music scene. No one wants to hear that their favorite ragtag band is splitting up to focus on their real 9-5 careers elsewhere. Couple that with the cancellation of the annual Mass Sabbath concert, and what have you to attend this Halloween season? Never fear, says ten of the remaining local force— we’re here to pick up the pieces. When Mass Sabbath, the must-attend for true Halloween junkies for the past five years, was canceled, the network of rockers in town collaborated to create something more diverse, more Halloween, and more accessible. “It’s bands impersonating other bands, in the spirit of Halloween” explains Nate Bolling of Astronomers. “And it’s can’t miss— if you get enough of the right people together, you can’t miss it,” agrees Hunter Smith. The Frankenstein brain-child of Smith, frontman for Hunter Smith and The Dead Men, Bolling, and Marie Landragin, of Corsair, The Mock Stars’ Ball was as much inspired by the dearth of Halloween happenings in town as the desire to collaborate with fellow Charlottesville bands for a mass showcase. “I wanted enough of a mix, so it wasn’t a pop show or a metal show, enough of a mix to make it the thing that people do,” explains Smith. “I had a dream list of bands I liked, who had good followings, and who would pick cool bands to do.” It’s a simple enough concept: bands literally reemerge as a cover band for the night, down to the look and feel of said band. Throw ten bands into the mix and you’ve got the makings of an epic festival of local talent. Over two nights and on two stages, witness the arrival of Spinal Tap, Queen, The Strokes, Tom Petty, and The Misfits, among others, as channeled through the likes of Corsair, Astronomers, The Sometime Favorites, The Petty Files, and Katherine Jackson. Each participating act was intrigued by the playful, yet challenging appeal of the show’s concept— to “dress up” as another band, mastering every lick and chord of an infamous’ band’s repertoire. “We wanted to choose a band we all liked, that we could learn without having to kill ourselves, and still have fun,” says Smith of his group’s choice, The Cars. “It’s a lot different from the nature of our stuff— if we did something like us, it would be lame as sh*t, it would be John Mayer or Ben Folds. We were looking for something that’s more fun than what we do.” “It’s fresh to be able to do something different, to take a break from what you’ve been focusing and sweating over,” adds Bolling. One ticket gets you in for both nights and late-night DJs will keep the party rolling after the rock stars have moved on. Costume contest— of course! Halloween drink specials— why not? For all non-children touting dress-up fanatics, local music has essentially brought the party to you. “Every band that’s playing is a crowd-pleaser,” says guitarist Katie Jackson of Teenagers From Mars. “It’ll be a wonderful backdrop to Halloween dressing-up and having an awesome time.” While Mass Sabbath is an event sure to be mourned by loyal attendees, the Mock Stars’ Ball reaches fans turned off by the hardcore appeal of Black Sabbath covers, while avoiding the spectacle of a Lady Gaga or Taylor Swift cover artist that would potentially dissuade rock-n-rollers from coming out. But it’s not just the spirit of Halloween and dress-up that brings these bands together— it’s an obvious testament to the cohesion and mutual respect the still-thriving local scene has to offer, albeit through the melodies of The Beatles and the chords of The Cars. The full Mock Stars’ Ball line-up: Saturday night: Corsair as Spinal Tap Astronomers as Queen The Sometime Favorites as The Strokes Hunter Smith and the Dead Men as The Cars Borrowed Beams of Light as The Stooges Sunday night: The Petty Files as Tom Petty and the Heartbreakers Julius Hangman as The Beatles Teenagers From Mars as The Misfits Slick Willy & The Interns as Alice in Chains Naughty Dynamic and the Design as The Red Hot Chili Peppers The Mock Stars’ Ball is Saturday, October 30, and Sunday, October 31 at The Southern. Doors open at 8pm, and tickets are $10 on Saturday (good for two nights) and $6 on Sunday.

Mock Star’s Ball

The Southern
October 31, 8:00pm
$6, free if you also came on Saturday

The coolest Halloween concept of all time soldiers on with sets from The Petty Files as Tom Petty and the Heartbreakers (duh), Naughty Dynamic and the Design as The Red Hot Chili Peppers, Slick Willy and the Interns as Alice In Chains, Teenagers From Mars as The Misfits, and Julius Hangman as The Beatles.

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Mock Star’s Ball

The Southern
October 30, 8:00pm
$10

Local bands “musically dress up” as their favorite legends in the neatest Halloween concept of all time. The first night features sets from Corsair as Spinal Tap, Astronomers as Queen, The Sometime Favorites as The Strokes. Hunter Smith & The Dead Men as The Cars, and Borrowed Beams of Light as The Stooges.

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Concentrated E’Ville: 6 Day Bender’s new album kicks like a mule

by Cripsy Duck
music-6daybender-mNot a poor man’s Avett Brothers. PUBLICITY PHOTO
6 Day Bender has a new record coming out, and it’s got some promise. (Yeah, I still call them “records”— so sue me for going to college before the internet.) Let me be honest here: when I first heard 6 Day a couple years back, my internal pork-o-matic immediately pigeonholed them as a poor man’s Avett Brothers, complete with a banjo-toting frontman and lots of sweaty hollering— all seasoned with drunk college chicks who flood their shows and talk the whole time. But closer inspection reveals enough originality and drive to warrant further investigation. And hell, all the local rags seemed to think they were the next big thing. I met the guys and I liked ‘em— goofy, boob-grabbing college boys, mooching my weed at festivals. Things were looking up. They had a savvy approach. Instead of saturating the crappy local bar/club scene, they’re seeking out wider audiences in other towns’ crappy bar/club scenes. They even got a sponsorship from Dickies work clothes— how cool is that? And then, all went quiet. Frontman Luke Nutting started another project, Red Rattles. And just when I thought it might be over, here comes E’Ville Fuzz, a well-produced, beer-soaked, working man’s affair with a catchy aesthetic and a lot of boot-stomping fury. At its best, it’s reminiscent of the Faces with Rod Stewart circa “Stay With Me” or maybe Rolling Stones country during the Mick Taylor years. At its worst, the Black Crowes. (For a lot of listeners, and certainly for the band’s key demographic, that’s a compliment.) If you like southern-fried party rock with a little extra edge, then this one’s for you. Not to say the album lacks depth— though the tunes are mostly about “baby, don’t you wanna &*#% me?”— because there’s a lot of acreage in that genre (and the gods of rock will never tire of pseudo-romantic pap). It’s upbeat, occasionally frantic, but in a deliberate “we sure know how to rock yer ass” kind of way. These aren’t just three-chord jams; there’s some good composition here. Gotta hand it to ‘em, there will always be a market for this kind of almost-straight-ahead, teetering-towards-alternative, Telecaster/harmonica sprawl. Although country/countrified rock has never been my thing (good for xenophobes = bad for me), I can see cranking this one up every so often just to get my PBR on. E’Ville Fuzz is a solid album with enough punkish attitude and hair-of-the-dog whimsy to keep a cocaine-addled, beer-soaked gathering engaged. Far more interesting than any plastic Black Crowes crap in my book. But I won’t be trashing my copy of Exile On Main Street any time soon either. ~ 6 Day Bender celebrate the release of E’Ville Fuzz at the Southern on Friday, October 29th at 8pm with opener These United States. Tickets are $8.

A Fine Frenzy

Old Cabell Hall
November 2, 8:00pm
$24, $12 students

Split the difference between Regina Spektor’s least-odd moments and Owl City’s most marketable and perhaps you’ll end up on the same block as formerly-famously-redheaded twentysomething piano pop songwriter Alison Sudol. The stage name comes from a favorite line in A Midsummer Night’s Dream, and she’s prone to similar flights of fantasy in her music, which always seems fittingly otherworldly whenever her seductive cooing starts dissolving into Coldplay atmospherics. This is going to be all over Gossip Girl next season.


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listen to A Fine Frenzy at the Hype Machine

Birdlips

Twisted Branch Tea Bazaar
November 11, 8:30pm
$8

Alt-folk duo. Matthew Hemerlein and Frau Eva.

Birdlips - Tire Chains
Birdlips - Some Kind Of Death


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Grandchildren

Twisted Branch Tea Bazaar
November 9, 8:30pm
$5

Lo-fi rock. With Lovers.


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Mountain Man

Christ Episcopal Church
November 7, 7:30pm
$7

Folk trio


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Dangerous Ponies

Twisted Branch Tea Bazaar
November 5, 8:30pm
$5

Danceable indie-pop. With Hermit Thrushes and Doppelganger.


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The Poison Control Center

Twisted Branch Tea Bazaar
October 29, 8:30pm
$5

Power-pop styled after Pavement and Elephant 6. Skeletons opens.


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The Loom

The Garage
November 9, 8:00pm
Donations accepted

Chamber-folk with horn parts (trumpet, French horn, etc) and an occasional rock edge. Acoustic pop songwriter Robby Hecht opens.

The Loom - The Middle Distance
The Loom - Song For The Winter Sun
The Loom - Helen


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listen to more The Loom at the Hype Machine

The Invisible Hand

Jefferson Theater
November 6, 7:30pm
$8-$10

CD release show for the promising local rockers. With alt-country songstress gone rock Sarah White and Lux Perpetua.

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Matt Costa

Jefferson Theater
November 10, 5:00am
$12-$14

Acoustic guitarist, singer-songwriter and former pro skateboarder whose career-ending accident left him with nothing to do but write songs with the guitarist from No Doubt which eventually landed him a slot on the record label run by like-minded beach bum Jack Johnson. Everest opens.

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The Ted Dalton Band

Fellini's #9
November 13, 10:00pm
$5

Roots-rock


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Jacabone

Fellini's #9
November 12, 10:00pm
$5

Harmonica-driven roots-rock and Americana

Blues Farm - Miss You


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Open Jam

Fellini's #9
November 8, 10:00pm
Free

Hosted by Bennie Dodd


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Bassically Blue

Fellini's #9
December 1, 10:00pm
Free

Blues and rock


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Out Of Focus

Fellini's #9
January 5, 9:00pm
Free

High school jazz musicians


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The Grey Matter

Fellini's #9
October 30, 10:00pm
$5 or free with costume

Local rockers soundtrack your Fellini’s Halloween.

The Grey Matter - Pumpkin
The Grey Matter - Laughing Bones
The Grey Matter - Stagger Lee


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Choirs of Jesus College Cambridge

Old Cabell Hall
December 15, 7:30pm
$5-$10

British choirs premiere a new piece by Nico Muhly


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Fire!

Holy Comforter Catholic Church
October 31, 3:30pm
Free

Female chamber ensemble performs a capella


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Gwynne Wood and the Civilians

Stone Soup
November 19, 6:00pm
Donations accepted

gwynne-wood

Pop, rock, and country


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Friends Of Marles

Mudhouse Crozet
October 30, 7:00pm
Free

Pop and rock songs from a quartet which includes both a banjo and an electronic drum kit. Christyl Ross opens.

Friends Of Marles - Sleeping Outside
Friends Of Marles - Long Float To Howardsville
Friends Of Marles - Live Wire
Friends Of Marles - Blood Is Thicker
Friends Of Marles - Bannjoe


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Jennifer Kirkland and Bert Carlson

Siips
January 29, 9:00pm
Free

Jennifer Kirkland and Bert Carlson

Vocal and guitar duo plays jazz and pop


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Nadine Chase

Stone Soup
November 5, 6:00pm
Donations accepted

Nadine Chase

Jazz singer with guitar accompaniment


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The Stoned Masons

Maya
November 6, 10:30pm
Free

Stoned Masons

Local boys jam out with acoustic covers of reggae, old-time, and rock classics.


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Bryan Bowers

C&OCFOOT Studio
November 3, 7:00pm
$15, $7 students

Folk singer-songwriter and autoharp master best known for his 1980 cover of the Mike Cross comic gem “The Scotsman.”

Bryan Bowers - Festival Love

Nadine Chase

Deuces Lounge
November 24, 6:30pm
$8

Nadine Chase

Jazz singer


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Shearwater

The Southern
November 7, 9:00pm
$10-$12

Former Okkervil River keyboardist Jonathan Meiburg started this band as a collaborative side-project with Okkervil frontman Will Sheff, who eventually moved on and left the budding ornithologist to navigate gloomy acoustic baroque-pop territory with a new trio named after a favorite seabird. Singer-songwriter Damien Jurado opens.

Shearwater - The Snow Leopard
Shearwater - Castaways
Shearwater - Black Eyes

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Ian McFeron

November 4, 8:00pm
$5

Seattle folk-rock and Americana singer-songwriter and his longtime fiddler pal Alisa Milner perform with several members of Richmond Celtic-rockers Carbon Leaf.

Ian McFeron - Good Morning I’m Still Here
Ian McFeron - Anna Behind The Veil

Old Man Kelly

Coupe DeVille's
November 11, 10:30pm
Free

Singer-songwriter plays English call-and-response sea shanties, old-time and folk using banjo, kazoo, and accordion.

Old Man Kelly - Jolie Anne
Old Man Kelly - Bully In The Alley

Sunday Puzzle

Deuces Lounge
October 29, 8:30pm
$10

Local quartet plays dance-friendly funk, soul, and R&B


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The University Singers

Old Cabell Hall
October 29, 8:00pm
$15, $5 students

UVA student singers perform “Ave Maria,” a Zulu wedding song, and European folk.


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David M. Bailey memorial concert

Chestnut Grove Baptist Church
November 7, 3:00pm
$10 minimum donation

david m. bailey - One More Day
david m. bailey - Dreaming Of Joy

Tom Goodman, Scuffletown, and others perform tributes to the local singer-songwriter, who passed away on October 2.


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Technosonics

Live Arts
November 19, 8:00pm
Free

“Mediated Nature” is the theme of this year’s installment of the UVA music department’s annual celebration of experimental composers, this time around including soundscape artist Douglas Quin, the Praxis String Quartet and pieces involving Slovakian fujara flutes and humpback whale songs reinterpreted on cello and tape loops, the latter closing with an improvisation based on the whale language patterns rather than any man-made musical scale.


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MIRA

The Haven
December 5, 4:30pm
$10-$15

MIRA

“Multimedia concert” featuring readings, stories, songs, and motets from the early music vocal ensemble

Mira - In Dulci Jubilo

Piano gal: An angst-free Frenzy offers broken-hearted romance

by Hawes Spencer
music-afinefrenzy-mThe posters have hit the streets of Charlottesville, but the distinctive red hair has gone missing. PHOTO BY HAWES SPENCER
Some female singer-songwriters try humor (Ingrid Michaelson), some try angst (Alanis Morissette), and some just try sex (Katy Perry). But only one swirls tales of fantasy and hopeless romance quite like Alison Sudol, who makes music that seems haunted by the spell of a love she’s never truly known— while performing under a moniker borrowed from Shakespeare. “A Fine Frenzy,” says Sudol of her stage name, “is just sort of this magical state. It’s the flurry of ideas. It’s a state of inspiration where you’re both exploding with thought and yet you’re very focused and clear-headed.” At the tender age of 25, Miss Sudol may still be finding her way in the world, but the world is finding her. She’s played Letterman, the Lilith Fair, and penned a to-be-published children’s book. She and her piano also starred in a recent episode of CSI:NY; and she hints, in a telephone interview from her West Coast home, that the future could include more appearances on-screen. Already, music videos show her flying on feather wings (”Blow Away“) and tumbling into an Alice-in-Wonderland rabbit hole (”Sleepwaking“). Clearly, this woman loves fairytales. With a visual style marked by electric red hair and bee-stung lips, she presents a musical style that crystallized on “Almost Lover,” a fond farewell that offers just enough sultriness to make the listener picture the heartbroken goodbye boy crawling back, after the credits roll, over nails and glass. [youtube width="320"]lsWsasqIoyk[/youtube]When it hit the airwaves three years ago “Almost Lover” quickly landed a fine endorsement from VH1. (It also captured the attention of UVA student turned semi-professional dancer Gina Consumano, who built an 18-person performance around it. “From the first notes,” the choreographer recalls, “I was already dancing in my head.”) The same year that song began charting, A Fine Frenzy came to the Charlottesville Pavilion as the third-stringer for Rufus Wainwright. Now, she’s fielding artistic questions about her since-released sophomore album,  Bomb in a Birdcage, which is rowdier and more, well, bombastic, than her freshman effort, One Cell in the Sea, a 300,000-selling hit whose title sprang from a metaphorical plea for world harmony. “One Cell was more of a peaceful record, while Bomb in a Birdcage was more of a fight,” says Sudol. “In order to find yourself, you’ve got to rip open certain aspects of your life. And that ripping can be a lot more violent than a gentle search.” Yet the playfulness remains. Consider the opening lines of “What I Wouldn’t Do”: If we were children, I would bake you a mud pie Warm and brown beneath the sun Never learned to climb a tree, but I would try Just to show you what I’d done. As the following interview reveals, Charlottesville concertgoers may not find a redhead on stage, but they will find someone eager to carry them up, up, and away. ————— The Hook: Where’d you get that red hair? AFF: Well, I was really identified by red hair, which led me to change it back to my natural color, blonde. It’s just hair. The Hook: Do you feel upset that you didn’t go to college? AFF: When I go to a college campus and look around and see the experiences people are having, it does give me a little pang. College seems rad; college seems wonderful. The Hook: Hah. AFF: Why are you laughing? The Hook: Because you’ve done other— possibly more important— things. AFF: That doesn’t mean that every now and then I don’t wish that I had taken the normal route. I graduated from high school at 16— young, young, young. The Hook: You’re not on tour, so why play Charlottesville? AFF: I actually didn’t want to play any shows for a little while because I am writing and sort of hibernating. The offer came in, and I looked at the Hall, and it just looks like such a wonderful place. And it is lovely to connect with people. The Hook: Paul McCartney said the Beatles were all about love, but what motivates your music? AFF: Music is about love and imagination and creating a world you can escape to— a beautiful, full, extraordinary world that you can slip into when you put on your headphones or climb in bed and get carried away somewhere wonderful. ~ A Fine Frenzy performs on Tuesday, November 2 in UVA’s Old Cabell Hall at 8pm. Tickets cost $12-$24. Correction: The above story has been corrected to reflect the fact that there is A Fine Frenzy song called “Sleepwaking,” not “Sleepwalking,” as it was first incorrectly spelled above.

Interview- How to: Industry vets 311 on the secret to musical success

by Stephanie Garcia
interview-311311, twenty years strong. PUBLICITY PHOTO
To all aspiring musicians or hopeful up-and-comers in the music biz, Omaha natives and industry veterans 311 have some advice for you: keep working hard, and your glory day will come. Or will it? 311 came of age in the early 1990s, when the band members drove themselves to out-of-town gigs, financed their own tours, and played their hometown every night. Nearly two years of hard work paid off in a record deal, and the band recorded such classics as “Down” and “Amber” (”whoa, Amber is the color of your energy”). They worked with producers as prestigious as Bob Rock (whose clients include Metallica and Bon Jovi) with a mixture of rock, reggae, ska, and punk to diverse audiences as amphitheater headliners. But they hit a rock recently when their 18-year relationship with label Volcano Entertainment came to an end, bringing the band, now based in L.A., to a “new phase,” according to guitarist Tim Mahoney. Where does a band go when cut loose into an industry landscape that operates so differently then when it first began? The Hook: Well, you’ve been around for 20 years now. Are you finally feeling fulfilled and ready to call it a day? Tim Mahoney: I’m ready to keep it going. We’re out of our record contract, and it’s exciting to see what happens here. I don’t know if I’ll ever feel fulfilled, there’s a lot of things we’ve gotten to do, and I don’t want that to end. The Hook: 311 started as a real grassroots creation, so how did you stay true to your music and your goals? TM: In Omaha, we played every Monday night for a long time until we developed a following. It’s always about playing live— it’s easy to get music out there and have people hear it, but as far as earning money, that’s harder. The Hook: With the number of musicians ever increasing thanks to platforms like MySpace, how do you continue to challenge yourself and remain relevant? TM: There are a lot of people living here in L.A., and it’s very humbling to see all these great guitar players, and it reminds you that you’ve got to work and continue to grow to get better. All five of us are still inspired to keep the band sounding better. Finding inspiration is the key. The Hook: If it’s easier to get yourself out there today, what’s the secret to success? TM: I could go on the internet and quickly hear something new as we’re on the phone. Spreading the word about your band is getting easier, but you still have to go out and play and enjoy playing a lot. ~ 311 plays the Charlottesville Pavilion Sunday, October 24. Ballyhoo! opens. Gates open at 6pm and tickets are $35.

Win free concert tickets with your Halloween costume

by Vijith Assar
hot-dog Electronic jamband rockers The Disco Biscuits have big plans for Charlottesville on Halloween. First, they’re headlining a show at the Pavilion, which will then be followed by a late night all-instrumental set at the Jefferson under the alias “Tractorbeam.” This all strikes us as a fine way to spend the evening, so we’ve got a pair of tickets to both shows for you (that’s four in all, enough for two people). Just post a picture of your best Halloween costume of all time in the comments here (be sure to plug in your real email address), or else if you don’t have web space for hosting them, and we’ll add them in for you. We’ll hook up one lucky winner with the tickets and then print the winning photo in next week’s issue for everyone else to ogle. The Fine Print: by participating, you grant the Hook permission to use your likeness no matter how silly you look in that costume. Sexy cats are automatically disqualified unless you’re a dude. This year’s upcoming costumes are also fair game, of course, so get thee to a Target.

Jenny and Johnny

Jefferson Theater
October 26, 7:00pm
$16-$18

That’d be indie rock power couple Jenny Lewis of Rilo Kiley (and subsequent solo outings) and her folk singer beau Johnathan Rice, pushed together by producer Mike Mogis (aka the real brains behind Monsters Of Folk) for a collaborative round of upbeat jangle-pop a la the M. Ward/Zooey Deschanel pairing She & Him, except that it has actually earned its flirty overtones.

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listen to Jenny and Johnny at the Hype Machine

Generationals

Twisted Branch Tea Bazaar
October 25, 8:30pm
$5

Bright and sugary retro indie pop


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listen to Generationals at the Hype Machine

Songwriting Contest

Rapunzel's
October 22, 7:30pm
$5 donation

WNRN’s “Acoustic Sunrise” host Anne Williams and bluegrass songwriter Adrienne Young lay down the law as judges at this year’s installment of the annual rite of passage for aspiring local songwriters.


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Ryan Powers Boyle

Mudhouse Crozet
November 2, 7:00pm
Free

Indie folk-rock songwriter performs alongside projections of the elaborate video project that accompanied his last album It’s All So Beautiful, It’s All So Strange, essentially a group of filmmakers and animators from around the world each contributing a music video for one of the songs.


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Eric Martinez

12th Street Taphouse
October 22, 10:00pm
Free

You may have caught this rock songwriter and Bloodkin guitarist sitting in with Widespread Panic at the Charlottesville Pavilion a month or so ago, after which his bandmate Daniel Hutchens likewise played a solo acoustic set at the Taphouse.

Kid Pan Alley

Peabody School
October 29, 1:30pm
Free

The leaders of the award-winning Kid Pan Alley children’s music program, including singer-songwriter-renaissance-woman and local favorite Terri Allard cap off their week-long residency at the school with a public performance featuring songs written by the kids.

Kid Pan Alley - My Shoes Are Spying On Me
Kid Pan Alley - My Dog Did My Homework
Kid Pan Alley - I Used To Know The Names Of All The Stars


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Love Canon

Rapture
January 26, 10:00pm
Free

Love Canon

80’s covers performed on acoustic instruments by members of local bluegrass fiends Old School Freight Train


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6 Day Bender

The Southern
October 29, 8:00pm
$8

CD release show for E’ville Fuzz, the latest from these local local bluegrass-rockers (that’d be Earlysville, by the way). With D.C.’s rising indie-folk and roots-rock star Jesse Elliott and his band These United States.

These United States - Water and Wheat

Older 6 Day Bender material:
6 Day Bender - Kick Out The Fire
6 Day Bender - Devil Lets You Dance
6 Day Bender - Factory Man

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The UVA Klezmer Ensemble

Old Cabell Hall
November 11, 8:00pm
$5-$10, free for students with advance reservation

Traditional Jewish music, featuring special guest Michael Winograd on clarinet.


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The Virginia Gentlemen

Old Cabell Hall
October 6, 9:30pm
$5

A capella


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The University Singers, the UVA Chamber Singers, the Virginia Women’s Chorus, and the Virginia Glee Club

Old Cabell Hall
November 6, 7:00pm
$5-$10, free for students with advance reservation

“Family Weekend” choral showcase from the UVA vocal ensembles


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Black Voices

Old Cabell Hall
November 5, 7:00pm
$7

Gospel


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Sally Rose Monnes

Blue Moon Diner
February 15, 8:00pm
Free

Sally Rose Monnes

Indie-folk


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Eric Heinsohn

The Southern
October 22, 8:30pm
$8-$10

Eric Heinsohn

Folk-pop songwriter who also plays bluesy rock. Local pop pianist Joseph Moses opens.

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Dylan Sneed

The Garage
November 4, 8:00pm
$6 suggested donation

This singer-songwriter has a new Kickstarter-funded Americana folk album called Texodus, presumably so named after his own move from Dallas to South Carolina. He also has a new blog and a photographer in tow to help him closely document his tour — look for updates at musicseentour.tumblr.com — so please be sure to show up with a few bucks for the “pass the hat” bit at the end so he says nice things about Charlottesville on the internet.

Dylan Sneed - Texodus
Dylan Sneed - Midnight Promenade
Dylan Sneed - No Worse For The Wear


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The Dinah Pehrson Band

Hamner Theater
November 19, 8:30pm
$10

Blues, R&B, jazz, and Dylan covers.


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Carbon Leaf

Jefferson Theater
October 14, 8:00pm
$15-$18

Celtic rock fusion. Travis Elliott opens.


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Festy inaugurates in Nelson

by Hawes Spencer
festytentA tent gleams in the Festy night. PHOTO BY G. MILO FARINEAU
A new musical tradition was launched in Nelson County over the Columbus Day weekend: the Festy, which took place at Devil’s Backbone brewery. The two-day event included such rootsy notables as the Infamous Stringdusters, Old School Freight Train, Toubab Krewe, and Tony Rice, among others. –>Full gallery of shots from the weekend.

visit Jefferson Theater online

Dan Deacon

The Southern
October 28, 9:00pm
$12

This daft audio collagist is the pride and joy of Baltimore arts scene right now and the Southern’s biggest score of the month for anybody who isn’t a Ted Leo fan. Expect a folding table crammed full of gadgets and a balding head full of trickery guiding them, dance music that remembers that the whole point of dancing is having fun, not looking beautiful. You may recall that Spiderman Of The Rings (great title, right?) opened with a warped and pitch-shifted and absolutely ridiculous sample of Woody Woodpecker cackling away; everything else here will probably likewise shoot rainbows all over the room for any lucky synaesthetes in attendence.

buy tickets online
listen to Dan Deacon at the Hype Machine

One eskimO

The Southern
November 3, 9:00pm
$10-$12

Four Brits, actually, who like loading up their rock tunes with atmospheric electronics.

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The Felice Brothers

Jefferson Theater
November 3, 8:00pm
$14-$16

Energetic folk-rock and Americana that’s more Catskills than Appalachia, closer both physically and spiritually to The Band and Big Pink than Doc Watson and Merlefest, and was honed in the depths of the New York City subway system in the years preceding their deal with Bright Eyes songwriter Conor Oberst’s Team Love Records. Adam Haworth Stephens opens.


visit Jefferson Theater online
listen to Felice Brothers at the Hype Machine

Rebelution

Jefferson Theater
November 4, 8:00pm
$15-$17

Reggae. With Zion I and Tribal Seeds.

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visit Jefferson Theater online

Kurt Vile

Twisted Branch Tea Bazaar
October 19, 8:30pm
$8-$10

Lo-fi hairball with a heart for classic rock songwriters. Purling Hiss and Double Complete Rainbow open.

Kurt Vile - Hunchback
Kurt Vile - Invisibility Nonexistent


visit Twisted Branch Tea Bazaar online
listen to Kurt Vile at the Hype Machine
listen to Purling Hiss at the Hype Machine

William Parker

UVA Chapel
October 13, 8:00pm
$5-$10

People, get ready for this quartet performance from the remarkable free jazz bassist, once a favorite of legendary pianist Cecil Taylor and one of the few guys willing to play his parts bowed instead of pizzicato. His most recent release is an album of Curtis Mayfield covers, the first time in his career he’s ever focused on someone else’s material instead of his own prolific output as a composer.

Ólöf Arnalds

The Southern
October 12, 8:00pm
$8

Lovely icelandic singer with ties to many of the finest experimental bands to use diacritical marks outside of the metal world — think Björk, múm, Sigur Rós, Jónsi — and an acclaimed sophomore album which was, for a time, tentatively tiled “Ókídóki.” Wes Swing opens.

Wes Swing - Lullaby

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Lucero

Jefferson Theater
November 7, 9:00pm
$15-$18

Beer-soaked Deep South bar band plays country-rock with a sprinkling of punk.


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The Young Republic

Twisted Branch Tea Bazaar
October 26, 9:00pm
$5

These brainiacs moved to Tennessee when they were finished with Berklee and started a sort of Jack-White-gone-folk indie rock project which served briefly as Devon Sproule’s backing band the last time they came through town. 6 Day Bender frontman Luke Nutting’s garage rock side project Red Rattles and songwriter James Moore open.

The Young Republic - Tennessee Mornings
The Young Republic - Black Duck Blues
The Young Republic - Alchemist


visit Twisted Branch Tea Bazaar online

Ted Leo and the Pharmacists

The Southern
October 16, 9:00pm
$13-$15

You can tell Ted Leo has finally realized he’s the de facto king of indie punk rockers because these days he feels at liberty to prattle on with arguments talking up the value of recorded music like it’s still 2002. Sorry dude, for better or worse, that ship has long since sailed. (Hope you guys like the free MP3s we dug up for you, by the way!) But a sobering point to consider: lately he has started hinting at… well, not retirement, exactly, but possibly slowing down and finding a day job, just as a matter of economic necessity. And if an artist with Leo’s history can’t afford to keep his operation afloat even with a new record as widely praised as The Brutalist Bricks, how many other independent musicians can reasonably hope to do so? Go see this, and just know that if you steal the rest of the album this time, it’ll be on your head when his next tour turns into a Pharmacists-free solo acoustic outing. Be sure to show up on time or you’ll miss out on Screaming Females leading lady Marissa Paternoster showing her band how to earn their name.

Ted Leo - Even Heroes Have To Die
Ted Leo - The Mighty Sparrow
Screaming Females - Arm Over Arm

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Umphrey’s McGee

Jefferson Theater
November 9, 7:30pm
$20-$25

Jamband prog-rockers

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visit Jefferson Theater online
listen to Umphrey's McGee at the Hype Machine

Dawes

Jefferson Theater
November 2, 9:00pm
$13-$15

Alt-rockers gone folk in the grand tradition of classic 1960’s Laurel Canyon bands like the Byrds and Buffalo Springfield — a good match, given that current Laurel Canyon folk figurehead Devendra Banhart has taken openers Vetiver under his freakishly hairy wing. Also featuring midwestern acoustic folk duo Peter Wolf Crier.

Vetiver - Strictly Rule
Vetiver - More Of This
Vetiver - Everyday

buy tickets online
visit Jefferson Theater online
listen to Vetiver at the Hype Machine
listen to Peter Wolf Crier at the Hype Machine
listen to Dawes at the Hype Machine

The Southwater Duo

Fardowner's
January 28, 9:00pm
Free

“Suburban bluegrass” and old-time with tunes improvized instrumental breaks and harmonized vocals


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Liza Bance and David Hazlett

Fardowner's
October 17, 7:00pm
Free

Folky guitar and dobro tag team


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The Windsor Oaks Band

Fardowner's
October 16, 10:00pm
Free

Rock


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Jason Ring

Fardowner's
March 25, 9:00pm
Free

Intricately fingerpicked one-man loop pedal bluegrass band


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